In my opinion its not worth the effort. Chances are it probably has dolby pro logic encoded on the stereo signal. If it does then your stereo will do a decent job of surround simulation. If your stereo has Dolby Pro Logic 2 it will do even better since it will simulate 5.1 from any source. Where as Dolby Pro Logic is much more limited but at least has rear effects. EDIT - by the way yes there are programs that can do it.
Higher end video editing and audio editing apps have the feature. Just don't expect the feature in the basic versions of most editing packages.
The main reason I got the card was to get Dolby-encoded 5-speaker surround sound from PC games, and the card had Dolby Digital Live, which. And when I press the Dolby button on my receiver it defaults to Prologic and nothing I do in the Xonar software changes this to DD 5.1 except for that sound test. I want to upmix any stereo source to my 5. Other products I used are pretty clumsy and are software. Realtek HD Audio 5. There are (at least) two different.
We are trying to handle our post audio mixing in DaVinci Resolve and discontinue going to Pro Tools HD. We are just about there..however, we often need to upmix stereo audio to 7.1 surround. We have been using Penteo 7 Pro for this in Pro Tools. Penteo is AAX format only, so we cannot use it in Resolve. Are others upmixing to surround in DaVinci Resolve? If so, what application are you using?
Is it as good as Penteo? Does Blackmagic intend to move to AAX? Xp Recovery Console Iso File Free more. This is really our last hangup with handling audio in Resolve. The recent improvements in Resolve have been huge..but we must be able to upmix to surround. If so, what application are you using?
Is it as good as Penteo?Without question: Halo Upmix. If you specifically need 7.1 support, your options are limited to Penteo 7 Pro AAX within ProTools (the native AU and VST versions only support 5.1), or Halo Upmix.
Halo Upmix provides finer control, and the “Exact” mode is very close to the source. For Atmos or Ambisonics, only Halo Upmix with the 3D Extension is an option. Note that the Halo Upmix “3D Extension” isn’t supported within Resolve, and only officially supports ProTools (AAX) and Nuendo (VST3). If so, what application are you using? Is it as good as Penteo?Without question: Halo Upmix. If you specifically need 7.1 support, your options are limited to Penteo 7 Pro AAX within ProTools (the native version only supports 5.1), or Halo Upmix. Saeco Magic Roma Manuale Istruzioni In Italiano on this page.
Halo Upmix provides finer control, and the “Exact” mode is very close to the source. For Atmos or Ambisonics, only Halo Upmix with the 3D Extension is an option. Note that the Halo Upmix “3D Extension” isn’t supported within Resolve, and only officially supports ProTools (AAX) and Nuendo (VST3). Well, thanks to you all I picked up the Waves plugin even though I had no idea I even needed it when I got up yesterday.
For the price of a couple of cocktails and a tip it's a no brainer to have. Took me a bit to figure out how to insert it into Resolve, but it seems like a nice 'in a jam' type of functionality to have. I can confirm that I couldn't get the plugin to work while the audio track is connected to the BUS, but it does seem to work fine when the audio track is connected to the MAIN. The other thing I noticed is that the AU version doesn't work in Resolve while the VST does.weird. Which brings me to my next question, anyone have any idea how to re-arrange the outputs so that they match the SMPTE/AES order instead of the way they are assigned by the plugin?
Not really.I mean the manual section is not exactly straightforward, and audio is something that Resolve is still not quite fully there yet. Looks like the patch in/out settings are the only way to do it, but as someone who has been an audio professional for a quarter of a century and has used most pro audio apps, I can frankly say that the current implementation of signal routing in Resolve is rudimentary at best. I hope that, as Blackmagic continues to refine the Fairlight portion of the app, key functions will become more intuitive and user friendly since at the moment this feels a whole lot like a repeat of Apple's atrocious Soundtrack Pro. Srs One Click Root Apk more. Kays Alatrakchi wrote:Well, thanks to you all I picked up the Waves plugin even though I had no idea I even needed it when I got up yesterday. For the price of a couple of cocktails and a tip it's a no brainer to have. Took me a bit to figure out how to insert it into Resolve, but it seems like a nice 'in a jam' type of functionality to have.
I can confirm that I couldn't get the plugin to work while the audio track is connected to the BUS, but it does seem to work fine when the audio track is connected to the MAIN. The other thing I noticed is that the AU version doesn't work in Resolve while the VST does.weird. Which brings me to my next question, anyone have any idea how to re-arrange the outputs so that they match the SMPTE/AES order instead of the way they are assigned by the plugin? Not sure this is any help for you, but I played around with the Halo Upmix - seems like this has to be routed via a 5.1 bus (it doesn't work on a stereo bus or a stereo track, unlike in Avid Media Composer). For the Halo the output routing is in the settings panel - no idea for Waves I'm afraid.